
Adrian Hernandez/ THE RIDER
UTRGV Master of Fine Arts students Emma Creps-Peña and Jacinto Zambrano debuted their thesis exhibition, “High Times,” Sept. 25 at the Visual Arts Building on the Edinburg campus.
The exhibition contained a multitude of art forms including puppetry, sculpture and photography all tied together by themes of addiction and dependency. Creps-Peña and Zambrano spent nearly five days installing the exhibition, according to Creps-Peña.
“To make everything was not in five days. That would be absolutely insane,” Creps-Peña said. “… I’ve been working on these pieces for about two and a half years.”
At the top of the exhibit, one of Creps-Peña’s handmade puppets “Perc Rogers,” a blue anthropomorphic pill wearing a tie, starred in a short puppet show detailing the slippery slope one might fall on when facing a pill addiction.

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“I like ‘Perc Rogers’ the most. That’s why I selected him for the puppet show,” she said. “I know I deal with a very difficult subject, which is addiction, and it kind of scares people off a lot. … I wanted to give a very comedic twist to this, because … humor is the number one way to deal with something like this.”
One attendee, Samantha Sing, said she is a friend of Creps-Peña and added her favorite part of the event was the puppet performance.
“[The performance confirmed] how puppetry can just be a fun way to just talk about hard things,” Sing said.

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While the gallery was filled with the soft sculptures and installations provided by Creps-Peña, plastered across the walls were photograph prints by Zambrano.
“I’m very much a nontraditional student,” Zambrano said. “I’m coming back to UTRGV after 50 years. I graduated from here in 1970 … I retired from the Army, and I had a G.I. Bill to use, and I’ve always wanted to go back and do things. Art and photography always was something I enjoyed, so I decided I could go with that.”
Zambrano’s photographs ranged from 11-by-17 inch prints on one wall to an 120-by-160 inch archival pigment print piece on another. He said it took two days to install the two large prints in their entirety.

Adrian Hernandez/THE RIDER
“I had to climb up with some scaffolding, … almost to the ceiling, getting those on, and then we had to figure out how to actually make those stick on [the wall]. All my classmates helped me,” Zambrano said.
With Creps-Peña’s work primarily focused on addiction, Zambrano said that his work came to accompany hers as a mutual choice, due to her subject matter of addiction.
“I want you to feel [my work], and from an addict standpoint, that’s what they’re chasing … they want that high,” Zambrano said. “I want you to walk away feeling refreshed.”
When asked what she wanted the attendees to walk away with, Creps-Peña replied “This is life. You know, everybody has a different way of viewing it. This is my view of it … I’m taking the worst part of my experience and making it funny.”

